June 2021
Beginning Tuesday, June 15, Andrew Botsford of Quogue will once again introduce our summer films each Tuesday night and discuss them afterward with guest commentators, followed by an informal audience discussion.
Most recently a visiting professor and communications consultant for the graduate arts program at Stony Brook Southampton, Andrew was for 20 years the associate editor of The Southampton Press and editor of its Arts & Living section and has written extensively about film, theatre, and the arts. The host of the annual Hamptons Doc Fest in Sag Harbor, he has been an actor, director and producer with the Hampton Theatre Company in Quogue since 1985.
This is Andrew’s 15th year of hosting the WHBPAC summer film series.
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When Alexis capsizes off the coast of France, David comes to the rescue and opens his eyes to a new horizon of friendship, art and sexual bliss.
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FREE
Join us for a special Q&A and book signing of American Goddess: Jean Patchett by Robert & Lois Lilly. Immediately following the signing, we will be screening Funny Face, the 1957 classic starring Audrey Hepburn & Fred Astaire.
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When a proposed pipeline creates hostilities between residents of a small town, a newly-arrived forest ranger must keep the peace after a snowstorm confines the townspeople to an old lodge. But when a mysterious creature begins terrorizing the group, their worst tendencies and prejudices rise to the surface, and it is up to the ranger to keep the residents alive, both from each other and the monster which plagues them.
Find Out MoreJuly 2021
To the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she’s pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.
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FINAL ACCOUNT is an urgent portrait of the last living generation of everyday people to participate in Adolf Hitler’s Third Reich. Over a decade in the making, the film raises vital, timely questions about authority, conformity, complicity and perpetration, national identity, and responsibility, as men and women ranging from former SS members to civilians in never-before-seen interviews reckon with — in very different ways — their memories, perceptions and personal appraisals of their own roles in the greatest human crimes in history.
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Can You Bring It: Bill T. Jones and D-Man in the Waters is a feature documentary that traces the remarkable history and legacy of one of the most important works of art to come out of the age of AIDS –choreographer Bill T. Jones’s tour de force ballet “D-Man in the Waters.” In 1989, D-Man in the Waters gave physical manifestation to the fear, anger, grief, and hope for salvation that the Bill T. Jones/Arnie Zane Company felt as they were embattled by the AIDS pandemic. As a group of young dancers reconstructs the dance, they learn about this oft forgotten history and deepen their understanding of the power of art in a time of plague.
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When simple-minded friends Jean-Gab and Manu find a giant fly trapped in the boot of a car, they decide to train it in the hope of making a ton of cash.
Find Out MoreAugust 2021
SUMMERTIME follows the intersecting stories of 27 youth spoken word poets over a single day in Los Angeles. The director’s ground-breaking vision began at a poetry showcase where performers from across the City of Angels recited fearlessly personal texts about themselves, their communities, and their relationship to their city. The project was then developed around their individual poems and interwoven into a larger, unified, and gloriously moving narrative experiment — part contemporary musical and part sociological art. SUMMERTIME explores themes of identity, community, and intersectionality through the unique perspectives of this diverse ensemble.
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Retired hairdresser Pat Pitsenbarger (Udo Kier) has given up on life from the confines of his small-town Sandusky, Ohio nursing home. But when Pat gets word that a former client’s dying wish was for Pat to style her final hairdo, he sets out on an epic journey across Sandusky to confront the ghosts of his past–and collect the beauty supplies necessary for the job. SWAN SONG is a comical and bittersweet journey about rediscovering oneself, and looking gorgeous while doing so.
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Ema and Gastón are a young couple who adopted Polo, a young boy. However, they are unable to raise him and give him back. The couple must deal with the aftermath of the failed adoption as their household falls apart.
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Directed by Dash Shaw 95 Mins | English | NR Cryptozoo is a hand drawn, gritty and fantastical parable about society versus the individual. A zoo that rescues mythological creatures in psychedelic 1960’s San Francisco races the U.S. Military to find and save a Baku, a Japanese dream-eating cryptid, to prevent the military from…
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In the late 80s and early 90s, the streets of downtown Manhattan were the site of a collision between two vibrant subcultures: skateboarding and hip hop. Narrated by Zoo York co-founder Eli Gesner with an original score by legendary hip-hop producer Large Professor (Nas, A Tribe Called Quest), All the Streets Are Silent brings to life the magic of the time period and the convergence that created a style and visual language that would have an outsized and enduring cultural effect. From the DJ booths and dance floors of the Mars nightclub to the founding of brands like Supreme, this convergence would lay the foundation for modern street style. Paris Is Burning meets Larry Clark’s KIDS, All the Streets Are Silent is a love letter to New York–examining race, society, fashion, and street culture.
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